Learning objective:
To revise the purpose and effect of technical codes through analysis of screenshots.
Develop analytical skills in examining a media text.
Technical term
|
Example
|
What it might mean
|
Shot size
|
Extreme close up
|
Emphasis on the emotion of the character
|
Close up
|
Intimacy with the character or object
| |
Medium shot
|
Show body language
| |
Long shot
|
Establish the setting
| |
Camera angle
|
Low (looking up)
|
Power – authority - superiority
|
Eye level
|
Equality between characters
| |
High (looking down)
|
Weak – vulnerable - powerless
| |
Lens type
|
Wide angle
|
Emphasise the expanse of the setting
|
Everydayness, normality
| ||
Telephoto
|
Spying from a distance
| |
Composition
|
Symmetrical
|
An ordered setting, controlled,
Structured
|
Asymmetrical
|
Realistic view of the world
| |
Focus
|
Selective focus
|
Draws attention to a character
|
Soft focus
|
Creates a romantic view of a setting or character
| |
Deep focus
|
All characters in shot are important
| |
Lighting
|
High key
|
Friendly, positive, nothing to fear
|
Low key
|
Dark, mysterious, dangerous
| |
Film Stock
|
Grainy blotchy
|
Documentary style, realistic
|
Smooth
|
A natural; view of the world
| |
Film Colour
|
Technicolour
|
Can emphasise certain colours
|
Black and white
|
Historical and realistic, possibly
the truth |
fig: 1
This painting is an example of an asymmetrical composition by the artist Kandinsky.
The main elements are equally distributed on both sides of the picture with the 'heaviest' part being the black circle balancing the more detailed parts.
fig: 2
This black and white image gives us the impression that a historic moment is taking place.
It looks realistic and truthful.
fig: 3
Close up
fig: 4
Deep focus
fig: 5
Extreme close up
fig: 6
Grainy
fig: 7
High angle (down shot)
fig: 8
Down shot
fig: 9
Lighting
fig: 10
Long shot
fig: 11
Low angle (up shot)
fig: 12
Lighting
fig: 13
Medium shot
fig: 14
Lens
fig: 15
Focus
fig: 16
Film stock
fig: 17
Focus
fig: 18
Symmetrical
fig: 19
Technicolour
fig: 20
Lens
fig: 21
fig: 22
Lens
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