Thursday 16 January 2014

Texts: Technical Codes - Camerawork 23.4


Learning objective:
To revise the purpose and effect of technical codes through analysis of screenshots.

Develop analytical skills in examining a media text.





Technical term
Example
What it might mean
Shot size
Extreme close up
Emphasis on the emotion of the character
Close up
Intimacy with the character or object
Medium shot
Show body language
Long shot
Establish the setting
Camera angle
Low (looking up)
Power – authority - superiority
Eye level
Equality between characters
High (looking down)
Weak – vulnerable - powerless
Lens type
Wide angle
Emphasise the expanse of the setting
Normal
Everydayness, normality
Telephoto
Spying from a distance
Composition
Symmetrical
An ordered setting, controlled,
Structured
Asymmetrical
Realistic view of the world
Focus
Selective focus
Draws attention to a character
Soft focus
Creates a romantic view of a setting or character
Deep focus
All characters in shot are important
Lighting
High key
Friendly, positive, nothing to fear
Low key
Dark, mysterious, dangerous
Film Stock
Grainy blotchy
Documentary style, realistic
Smooth
A natural; view of the world
Film Colour
Technicolour
Can emphasise certain colours
Black and white
Historical and realistic, possibly
the truth






fig: 1
This painting is an example of an asymmetrical composition by the artist Kandinsky.
The main elements are equally distributed on both sides of the picture with the 'heaviest' part being the black circle balancing the more detailed parts.



fig: 2
This black and white image gives us the impression that a historic moment is taking place.
It looks realistic and truthful.


fig: 3
Close up


fig: 4
Deep focus


fig: 5
Extreme close up


fig: 6
Grainy


fig: 7
High angle (down shot)


fig: 8
Down shot


fig: 9
Lighting


fig: 10
Long shot


fig: 11
Low angle (up shot)


fig: 12
Lighting


fig: 13
Medium shot


fig: 14
Lens


fig: 15
Focus


fig: 16
Film stock


fig: 17
Focus


fig: 18
Symmetrical


fig: 19
Technicolour


fig: 20
Lens


fig: 21


fig: 22
Lens

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